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Ramakant Rath’s magnum opus SRIRADHA is acknowledged as a contemporary Odia traditional. It has sixty-one poems, every introduced within the type of a monologue. In these poems, Radha repudiates the picture attributed to her in Vaishnav literature and explores herself by means of an intense expertise of affection and separation. She isn’t the playmate of Krishna; she is herself.
The Radha-Krishna fantasy has for hundreds of years impressed poets and artists. In SRIRADHA, Ramakanta Rath reinterprets this fantasy to liberate Radha from her picture in conventional literature and introduces her as an distinctive character who combines in herself the tenderest feelings of affection with the craving to find her personal id.
SRIRADHA received the distinguished Saraswati Samman for 1992.